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BEST OF US

The Necessary Stage (Singapore)

Fringe Commission • World Premiere

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In 2013, Siti Khalijah Zainal brought The Necessary Stage’s (TNS) Best Of to life. She played a young Malay Muslim woman going through a divorce. The story gave a close look at one day in her life. She shared her thoughts on prejudice, family, dreams, and the kindness of strangers.

Three years later, TNS shared the husband’s side of the story in Best Of (His Story). The audience followed his past, his hopes, his beliefs, and his search for the meaning of home.

Now, in Best Of Us, writer and director Haresh Sharma returns to these stories. For the first time, he brings both voices together in one new work. What happens when the unhappy couple meet at the Syariah court? Where do they go from here? Would hearing both sides of the story change your view? Siti Khalijah Zainal returns as the wife, with Fir Rahman playing the husband.

This new version of two major TNS plays brings together two award-winning actors. It looks at a marriage that falls apart, and the ties that still hold people together.

There’s the kind of storytelling that lights up fireworks and milks this communal moment for all its worth. Best Of, The Necessary Stage’s enjoyable one-woman show featuring Siti Khalijah Zainal, skips all of that and simply tells.

— Mayo Martin, TODAYonline, 25 January 2013, on Best Of

...deeply watchable and tosses up a great deal of food for thought – from funny to bitingly incisive observations on how the Malay community is perceived, to tender recollection of various religious traditions and the constant struggle to cope with loss.

— Corrie Tan, The Straits Times Life, 26 January 2013, on Best Of

His is a character not privileged by the Singapore stage – a lowly educated average Joe who spouts non-politically correct remarks and speaks English with obvious discomfort. He exists in the lower rungs of society where art, politics and the media rarely explore. The Necessary Stage, a theatre company committed to indigenous stories, is once again showing us a side of Singapore often kept hidden.

— Helmi Yusof, The Business Times, 5 November 2016 on Best Of (His Story)


There will be a dialogue with the artists after the 8pm performance on 14 and 15 January 2027, with speech to text interpretation available upon request. Please email your request to info@singaporefringe.com by 9 December 2026.

Artist Statement

Best Of Us started as two solo plays. They were Best Of, first staged in 2013, and Best Of (His Story), staged in 2016. I returned to these plays and rewrote them as a two-person piece. When rewriting, I asked myself some simple questions. What would they say to each other? What could they say? What would they still leave unsaid?

The story is simple. A husband and wife are going through a divorce. Each one tells their side of the story. As they speak, bigger questions come up. The play looks at the roles of men and women today. It also looks at what society expects from them. Each character must deal with the pull between old values and a more independent way of life.

How will the audience react? Will they side with one person? Will hearing both stories change their views? Or will they find it hard to choose a side, and instead hope the couple can reconnect and move towards a better future?

—Haresh Sharma, Playwright and Director

In 2013, Siti Khalijah Zainal brought The Necessary Stage's Best Of to life, playing the role of a young Malay Muslim woman going through divorce. Through a glimpse into a day in her life, she shares intimately about prejudice, family, dreams, and the kindness of strangers.

Three years later, we presented the husband’s perspective in Best Of (His Story), where he brings the audience on a journey through his past, his hopes, his beliefs—and what ‘home’ means.

In Best Of Us, playwright and director Haresh Sharma revisits these plays, and for the first time, creates a narrative combining both husband and wife’s accounts. What happens when the estranged couple reunite at the Syariah court? Where do they go from here? How would it change your view when you see both sides of the story? Siti Khalijah Zainal reprises her role as the divorced wife, with Fir Rahman as the husband.

These two award-winning and celebrated actors will face off in this brand-new iteration of two seminal plays by The Necessary Stage about a marriage that breaks apart—and the ties that bind and sustain us.

There’s the kind of storytelling that lights up fireworks and milks this communal moment for all its worth. Best Of, The Necessary Stage’s enjoyable one-woman show featuring Siti Khalijah Zainal, skips all of that and simply tells.

— Mayo Martin, TODAYonline, 25 January 2013, on Best Of

...deeply watchable and tosses up a great deal of food for thought – from funny to bitingly incisive observations on how the Malay community is perceived, to tender recollection of various religious traditions and the constant struggle to cope with loss.

— Corrie Tan, The Straits Times Life, 26 January 2013, on Best Of

His is a character not privileged by the Singapore stage – a lowly educated average Joe who spouts non-politically correct remarks and speaks English with obvious discomfort. He exists in the lower rungs of society where art, politics and the media rarely explore. The Necessary Stage, a theatre company committed to indigenous stories, is once again showing us a side of Singapore often kept hidden.

— Helmi Yusof, The Business Times, 5 November 2016 on Best Of (His Story)


There will be a dialogue with the artists after the 8pm performance on 14 and 15 January 2027, with speech to text interpretation available upon request. Please email your request to info@singaporefringe.com by 9 December 2026.

Artist Statement

Best Of Us started as two monologues: Best Of, first staged in 2013 and Best Of (His Story), which was staged in 2016. Revisiting the plays and rewriting them as a duologue challenged me to question: what would they say to each other? What could they say to each other? What remains unsaid?

The premise of the play is simple: a couple going through a divorce, each telling their side of the story. But various issues emerge from this, such as the roles of men and women today in the context of society’s expectations. Where does each character sit in the spectrum of traditional values and independent lifestyle?

How will the audience respond? Will they take sides? What will prompt their responses as they listen to the couple’s stories? Or will they find it difficult to take sides, hoping instead for reconnection, reconciliation: a positive future for both.

—Haresh Sharma, Playwright and Director


Download artist biographies↗ 

Dates & Duration
13 – 16 January 2027, 8pm
16 – 17 January 2027, 3pm
90 minutes with no intermission

Venue
Esplanade Theatre Studio

Tickets
$38

*20% discount for students, NSF, senior citizens and PwD cardholders
*10% discount for Esplanade&Me members

Rating
To be advised

Language
In English and Malay with open captions in English

Accessibility Features
  • Open captions in English for all performances
  • Relaxed performance on Saturday 16 January, 3pm
  • Speech to text interpretation for post-show dialogue upon request

︎ necessary.org
︎ @thenecessarystage
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